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The Maranao people ( Maranao: ['mәranaw]; Filipino: Maranaw [2] ), also spelled Meranao, Maranaw, and Mëranaw, is a predominantly Muslim Filipino ethnic group native to the region around Lanao Lake in the island of Mindanao. They are known for their artwork, weaving, wood, plastic and metal crafts and epic literature, the Darangen.
Description. The Sarimanok is the legendary bird that has become a ubiquitous symbol of Maranao art. It is depicted as a fowl with colorful wings and feathered tail, holding a fish on its beak or talons. The head is profusely decorated with scroll, leaf, and spiral motifs. It is said to be a symbol of good fortune.
Singkil is an ethnic dance of the Philippines that has its origins in the Maranao people of Lake Lanao, a Mindanao Muslim ethnolinguistic group. The dance is widely recognized today as the royal dance of a prince and a princess weaving in and out of crisscrossed bamboo poles clapped in syncopated rhythm. While the man manipulates a sword and ...
The word Maguindanao or Magindanaw means "people of the flood plains", from the word Magi'inged that means "people or citizen" and danaw that means "lake or marsh". Thus Maguindanao or Magindanaw can also be translated as "people of the lake", identical to their close neighbors, the Maranao and Iranun. These three groups speak related languages ...
Torogan. A torogan, c. 1908-1924. A torogan ( lit. 'resting place' or 'sleeping place') is a traditional ancestral house built by the Maranao people of Lanao, Mindanao, Philippines for the nobility. [1] A torogan was a symbol of high social status. Such a residence was once a home to a sultan or datu in the Maranao community.
A Maranao kubing jaw harp handle made from horn and brass with an S-shaped naga design and a fish. The origins of okir are pre-Islamic. They are believed to have originated from the much earlier okil or okil-okil decorative carving traditions of the Sama (Badjao) people, which are often highly individualistic and rectilinear.
Intangible cultural heritage (ICH) includes traditions and living expressions that are passed down from generation to generation within a particular community. The Philippines, with the National Commission for Culture and the Arts [1] as the de facto Ministry of Culture, [2] ratified the 2003 Convention after its formal deposit in August 2006. [3]
At its peak, Maguindanao maintained a diverse mosaic of indigenous ethnicities and communities; besides the Maguindanaon themselves, under various forms of vassalage were Iranun (including Maranao), Sama-Bajau, Subanon, Sarangani, and Kalagan peoples, while in more mutual yet interdependent trade-based relationships were highlander Tirurays and ...