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A coat is typically an outer garment for the upper body, worn by any gender for warmth or fashion. [1] Coats typically have long sleeves and are open down the front, and closing by means of buttons, zippers, hook-and-loop fasteners (AKA velcro), toggles, a belt, or a combination of some of these. Other possible features include collars, shoulder straps, and hoods.
Widespread fashions for women in the early 1980s included sweaters (including turtleneck, crew neck, and v-neck varieties); fur-lined puffer jackets; tunics; faux-fur coats; velvet blazers; trench coats (made in both fake and real leather); [11] crop tops; tube tops; knee-length skirts (of no prescribed length, as designers opted for choice ...
Traditional Inuit clothing is a complex system of cold-weather garments historically made from animal butt and fur, worn by Inuit, a group of culturally related Indigenous peoples inhabiting the Arctic areas of Canada, Greenland, and the United States. The basic outfit consisted of a parka, pants, mittens, inner footwear, and outer boots.
Chesterfield coat. A 1909 fashion plate of the new Chesterfield. The Chesterfield is a formal, dark, knee-length overcoat with a velvet collar introduced around the 1840s in the United Kingdom. A less formal derivation is the similar, but with a lighter fabric, slightly shorter, top coat called a covert coat.
1850s in Western fashion. 1859 fashion plate of both men's and women's daywear, with seabathing in background. He wears the new leisure fashion, the sack coat. 1850s fashion in Western and Western-influenced clothing is characterized by an increase in the width of women's skirts supported by crinolines or hoops, the mass production of sewing ...
Western fashion in the 1920s underwent a modernization. Women's fashion continued to evolve from the restrictions of gender roles and traditional styles of the Victorian era. [1] Women wore looser clothing which revealed more of the arms and legs, that had begun at least a decade prior with the rising of hemlines to the ankle and the movement from the S-bend corset to the columnar silhouette ...
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