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Pre-Code Hollywood is the era in the American film industry between the introduction of sound ( talkies) in the late 1920s [1] and the enforcement of the Motion Picture Production Code (Hays Code) censorship guidelines. Although the Code was adopted in 1930, oversight was poor and it did not become effectively enforced until July 1, 1934. Before that date, movie content was restricted more by ...
Pre-Code Hollywood. In this 1931 publicity photo, Dorothy Mackaill plays a secretary-turned-prostitute in Safe in Hell, a pre-Code Warner Bros. film. Pre-Code films such as The Public Enemy (1931) were able to feature criminal, anti-hero protagonists. Pre-Code Hollywood was an era in the American film industry that occurred between the ...
Freaks. (1932 film) Freaks (also re-released as The Monster Story, [6] [unreliable source?] Forbidden Love, and Nature's Mistakes [7]) is a 1932 American pre-Code drama horror film produced and directed by Tod Browning, starring Wallace Ford, Leila Hyams, Olga Baclanova, Roscoe Ates and Harry Earles .
Bird of Paradise is a 1932 American pre-Code romantic adventure drama film directed by King Vidor and starring Dolores del Río and Joel McCrea. Based on the 1912 play of the same name by Richard Walton Tully, it was released by RKO Radio Pictures .
The Sign of the Cross is a 1932 American pre-Code epic film produced and directed by Cecil B. DeMille and released by Paramount Pictures. Based on the original 1895 play by English playwright Wilson Barrett, [2] the screenplay was written by Waldemar Young and Sidney Buchman. It stars Fredric March, Elissa Landi, Claudette Colbert, and Charles Laughton, with Ian Keith and Arthur Hohl .
Red Dust is a 1932 American pre-Code romantic drama film directed by Victor Fleming, and starring Clark Gable, Jean Harlow, and Mary Astor. [2] It is based on the 1928 play of the same name by Wilson Collison, and was adapted for the screen by John Mahin. [2] [3] Red Dust is the second of six movies Gable and Harlow made together. More than 20 years later, Gable starred in a remake, Mogambo ...
Grand Hotel is a 1932 American pre-Code drama film directed by Edmund Goulding and produced by Metro-Goldwyn-Mayer. The screenplay by William A. Drake is based on the 1930 play of the same title by Drake, who had adapted it from the 1929 novel Menschen im Hotel by Vicki Baum. To date, it is the only film to have won the Academy Award for Best Picture without being nominated in any other category.
Blonde Venus is a 1932 American pre-Code drama film starring Marlene Dietrich, Herbert Marshall and Cary Grant. It was produced, edited and directed by Josef von Sternberg from a screenplay by Jules Furthman and S. K. Lauren, adapted from a story by Furthman and von Sternberg. The original story "Mother Love" was written by Dietrich herself.