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RMS Olympic was a British ocean liner and the lead ship of the White Star Line's trio of Olympic-class liners. Olympic had a career spanning 24 years from 1911 to 1935, in contrast to her short-lived sister ships, Titanic and Britannic .
RMS Rhone was a UK Royal Mail Ship owned by the Royal Mail Steam Packet Company (RMSP). She was wrecked off the coast of Salt Island in the British Virgin Islands on 29 October 1867 in a hurricane , killing 123 people.
HMS Ambrose was a steamship that was built for in 1903 as a passenger liner. The Booth Steam Ship Company ran her scheduled on services between Liverpool and Brazil until the First World War . Ambrose was converted into a Royal Navy armed merchant cruiser (AMC) in 1914–15 and then into a submarine depot ship in 1917.
Barbettes: 5–12 in (127–305 mm) Turrets: 11–15 in (279–381 mm) HMS Hood ( pennant number 51) was a battlecruiser of the Royal Navy (RN). Hood was the first of the planned four Admiral-class battlecruisers to be built during the First World War. Already under construction when the Battle of Jutland occurred in mid-1916, that battle ...
The £ grapheme in a selection of fonts. The pound sign ( £) is the symbol for the pound unit of sterling – the currency of the United Kingdom and its associated Crown Dependencies and British Overseas Territories and previously of Great Britain and of the Kingdom of England. The same symbol is used for other currencies called pound, such as ...
Sinking of RMS Lusitania on a map of Ireland. The RMS Lusitania was a British-registered ocean liner that was torpedoed by an Imperial German Navy U-boat during the First World War on 7 May 1915, about 11 nautical miles (20 kilometres) off the Old Head of Kinsale, Ireland. The attack took place in the declared maritime war-zone around the UK ...
HMT Rohna was a British India Steam Navigation Company passenger and cargo liner that was built on Tyneside in 1926 as SS Rohna and requisitioned as a troop ship in 1940. ("HMT" stands for His Majesty's Transport.)
The Symbolist painting is a stylised seascape, dominated by a bright sunburst breaking through clouds. Watts intended to evoke a monotheistic God in the act of creation, without depicting the Creator directly. The unfinished painting was exhibited at a church in Whitechapel in 1886, under the intentionally simplified title of The Sun.