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Background. Richard Rodgers originally composed this tune (with the title "Beneath the Southern Cross") for the NBC television series Victory at Sea (1952/1953). When Rodgers and Oscar Hammerstein II collaborated on Me and Juliet, Rodgers took his old melody and set it to new words by Hammerstein, producing the song "No Other Love". [1]
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See media help. " Eternal Father, Strong to Save " is a British hymn traditionally associated with seafarers, particularly in the maritime armed services. Written in 1860, its author, William Whiting, was inspired by the dangers of the sea described in Psalm 107. It was popularised by the Royal Navy and the United States Navy in the late 19th ...
The Rose of Tralee (song) "The Rose of Tralee" is a nineteenth-century Irish ballad about a woman called Mary, who because of her beauty was called The Rose of Tralee. The Rose of Tralee International Festival had been inspired by the ballad. The words of the song are credited to Edward Mordaunt Spencer and the music to Charles William Glover ...
And dances with the daffodils. – William Wordsworth (1802) " I Wandered Lonely as a Cloud " (also sometimes called " Daffodils " [2]) is a lyric poem by William Wordsworth. [3] It is one of his most popular, and was inspired by a forest encounter on 15 April 1802 that included himself, his younger sister Dorothy and a "long belt" of daffodils ...
The song shares a title with, and features prominently in the plot-line of, the 1989 Harold Becker film Sea of Love starring Al Pacino and Ellen Barkin. "Sea of Love" was used in the 2000 film Frequency starring Dennis Quaid and Jim Caviezel. "Sea of Love" was used to close out The Simpsons season 16 episode "Future-Drama".
Everything she owns will go into the foundation, an astonishing donation to British culture. “I have no children, so what do I like more than anything? It is art.
"Beyond the Sea" has been recorded by many artists, but Bobby Darin's version released in late 1959 is the best known, reaching No. 6 on the Billboard Hot 100, No. 15 on the US R&B Chart, No. 7 in Canada (co-charted with "That's The Way Love Is"), and No. 8 in the UK Singles Chart in early 1960.