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Pre-Code Hollywood. In this 1931 publicity photo, Dorothy Mackaill plays a secretary-turned-prostitute in Safe in Hell, a pre-Code Warner Bros. film. Pre-Code films such as The Public Enemy (1931) were able to feature criminal, anti-hero protagonists. Pre-Code Hollywood was an era in the American film industry that occurred between the ...
Pre-Code sex films explored women's issues and challenged the concept of marriage, and aggressive sexuality was the norm. The sexual subject matter of the uncensored period was found within many movie genres, most especially in dramas, crime films, exotic-adventure films, comedies and musicals.
Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press 1999. ISBN 0-231-11094-4. Jacobs, Lea. The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942. Madison: University of Wisconsin Press 1997 ISBN 0-520-20790-4. Jeff, Leonard L, & Simmons, Jerold L.
United States. Laughter in Hell is a 1933 American Pre-Code drama film directed by Edward L. Cahn and starring Pat O'Brien. The film's title was typical of the sensationalistic titles of many Pre-Code films. [1] Adapted from the 1932 novel of the same name by Jim Tully, the film was inspired in part by I Am a Fugitive from a Chain Gang and was ...
Pre-Code uncensored scenes. Two scenes stand above the rest. One was the blackface minstrel show finale, "Goin' to Heaven on a Mule" (featuring Jolson and Hal Le Roy), full of racial stereotypes. The other involved a handsome man, asking a dancing couple if he could cut in.
Baby Face is a 1933 American pre-Code -enforcement drama film directed by Alfred E. Green for Warner Bros., starring Barbara Stanwyck as Lily Powers, and featuring George Brent. Based on a story by Darryl F. Zanuck (under the pseudonym Mark Canfield), Baby Face portrays an attractive young woman who uses sex to advance her social and financial ...
The Pawnbroker was the first film since pre-Code era featuring bare breasts to receive Production Code approval. In his 2008 study of films during that era, Pictures at a Revolution , author Mark Harris wrote that the MPAA's action was "the first of a series of injuries to the Production Code that would prove fatal within three years."
Hays Code. The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors ...