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Preceded by. The Great Deception. Followed by. Scared to Death: From BSE to Global Warming. The Seven Basic Plots: Why We Tell Stories is a 2004 book by Christopher Booker containing a Jung -influenced analysis of stories and their psychological meaning. Booker worked on the book for 34 years. [1]
Creative writing is any writing that goes outside the bounds of normal professional, journalistic, academic, or technical forms of literature, typically identified by an emphasis on narrative craft, character development, and the use of literary tropes or with various traditions of poetry and poetics. Due to the looseness of the definition, it ...
Beginning the story in the middle of a sequence of events. A specific form of narrative hook. This is used in epic poems, for example, where it is a mandatory form to be adopted. Luís de Camões' The Lusiads or the Iliad and the Odyssey of Homer are prime examples. The latter work begins with the return of Odysseus to his home of Ithaka and ...
Plot (narrative) Plot is the cause‐and‐effect sequence of main events in a story. [1] The story events are numbered chronologically; the red plot events are also connected logically by "so". In a literary work, film, or other narrative, the plot is the sequence of events in which each event affects the next one through the principle of ...
Plot device. A plot device or plot mechanism [1] is any technique in a narrative used to move the plot forward. [2] A clichéd plot device may annoy the reader and a contrived or arbitrary device may confuse the reader, causing a loss of the suspension of disbelief. However, a well-crafted plot device, or one that emerges naturally from the ...
Writing several years later, John Henry Newman observed in a letter about the novel: Everything Miss Austen writes is clever, but I desiderate something. There is a want of body to the story. The action is frittered away in over-little things. There are some beautiful things in it. Emma herself is the most interesting to me of all her heroines.
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