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Paradox (literature) In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition and analysis that involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain ...
The rest of the first chapter is devoted to the close reading of Donne's "The Canonization". Brooks in his interpretation challenges the conception of Donne as being an early example of the use of eccentric metaphor, anticipating Yeats and Eliot, instead asserting that he is an extreme example of what all good poetry exemplifies, namely, paradox.
In turn, the wise fool is often opposed to learned or elite knowledge. [2] While examples of the paradox can be found in a wide range of early world literature, from Greco-Roman works to the oral traditions of folk culture, the paradox received unprecedented attention from authors and artists during the Renaissance. [2] More than Shakespeare for his range of clownish wise men or Cervantes for ...
List of paradoxes This list includes well known paradoxes, grouped thematically. The grouping is approximate, as paradoxes may fit into more than one category. This list collects only scenarios that have been called a paradox by at least one source and have their own article in this encyclopedia. Although considered paradoxes, some of these are simply based on fallacious reasoning (falsidical ...
The Heresy of Paraphrase " The Heresy of Paraphrase " is the name of the paradox where it is impossible to paraphrase a poem because paraphrasing a poem removes its form, which is an integral part of its meaning. Its name comes from a chapter by the same name in Cleanth Brooks 's book The Well-Wrought Urn. Critics disagree about if aspects of sound and form can be paraphrased, and agree that ...
"The Canonization" figures prominently in critic Cleanth Brooks 's arguments for the paradox as integral to poetry, a central tenet of New Criticism. In his collection of critical essays, The Well Wrought Urn, Brooks writes that a poet "must work by contradiction and qualification," and that paradox "is an extension of the normal language of ...
The poem incorporates a complex reliance on assonance, which is found in very few English poems. Within "Ode on a Grecian Urn", an example of this pattern can be found in line 13 ("Not to the sensual ear, but, more endear'd") where the "e" of "sensual" connects with the "e" of "endear'd" and the "ea" of "ear" connects with the "ea" of "endear'd".
Sonnet 116 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.