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Boon, Andrew, "The Search for Irony: a textual analysis of the lyrics of Ironic by Alanis Morissette", The Reading Matrix, 5: 129–142 (2005). How we learned to love Alanis Morissette's 'irony' – discussion of the definition of "irony" which is hotly disputed in this song
Example: "From up here on the fourteenth floor, ... See Irony for a more detailed discussion, and definitions of other forms of irony. Register. Diction
The use of humor, irony or exaggeration to criticize. An example is Network. One of the earliest examples is Gulliver's Travels, written by Jonathan Swift. The television program South Park is another. Sensory detail: Sight, sound, taste, touch, smell. The same as imagery. The boot was tough and sinewy between his hard-biting teeth.
The yarn, also called a shaggy dog story, is a type of anti-humor that involves telling an extremely long joke with an intricate (and sometimes grisly) back story and surreal or repetitive plotline, before ending the story with either a weak spoonerism, or abruptly stopping with no real punchline at all, or no soap radio.
They used impersonal, mundane reality, irony, and parody to "defuse" the personal symbolism and "painterly looseness" of abstract expressionism. [4] [6] In the U.S., some artwork by Larry Rivers, Alex Katz and Man Ray anticipated pop art. [7] By contrast, the origins of pop art in post-War Britain
Lodgings to Let, an 1814 engraving featuring a double entendre. He: "My sweet honey, I hope you are to be let with the Lodgins!" She: "No, sir, I am to be let alone".. A double entendre [note 1] (plural double entendres) is a figure of speech or a particular way of wording that is devised to have a double meaning, one of which is typically obvious, and the other often conveys a message that ...
In rhetoric, litotes (/ l aɪ ˈ t oʊ t iː z, ˈ l aɪ t ə t iː z /, US: / ˈ l ɪ t ə t iː z /), [1] also known classically as antenantiosis or moderatour, is a figure of speech and form of irony in which understatement is used to emphasize a point by stating a negative to further affirm a positive, often incorporating double negatives for effect.
Riggan provides the following definitions and examples to illustrate his classifications: The Pícaro The first-person narrator of a picaresque novel ; an antihero serving as "an embodiment of the obstinacy of sin", whose "behavior is marked by rebelliousness", resentment, and aggression, and whose "world view is characterized by resignation ...