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"For What It's Worth (Stop, Hey What's That Sound)" (often referred to as simply "For What It's Worth") is a song written by Stephen Stills. Performed by Buffalo Springfield, it was recorded on December 5, 1966, released as a single on Atco Records in December 1966 and peaked at No. 7 on the Billboard Hot 100 chart in the spring of 1967.
Dialogue (Part I & II) " Dialogue " is a song written by Robert Lamm for the group Chicago and recorded for their album Chicago V (1972). On the album the song is over 7 minutes long and is divided in two parts. [1] An edited version was released as a single in October 1972, eventually reaching #24 on the U.S. Billboard Hot 100. [2]
Chicago Police Department officers were trained to deploy a disciplined and patient approach that focused on protecting free speech and allowing people to lawfully protest, a department official said.
A shorter version at 2:46 (starting midway through the trumpet solo) was issued as a promotional single, which finally appeared on 2007's The Best of Chicago: 40th Anniversary Edition. A live version on the Chicago at Carnegie Hall box set presents an expanded version of the "free form" intro, which itself is given its own track.
Monet, 34, took Us back to 2010 while singing “Chicago,” a song that her Victorious character, Trina Vega, performed during season 1 of the show. “This is the kind of energy we’re taking ...
A management change at WLUP in 1997, however, led to the end of Brandmeier's 14-year run on The Loop. He hosted middays from 1998 to 2001 at WCKG in Chicago, which was replayed in Los Angeles at KLSX. After some time away from radio, he hosted mornings at KCBS-FM from 2004 to 2005. Brandmeier returned to WLUP in fall 2005, hosting mornings ...
Gone, but not forgotten! Jesse Spencer shared the sweet song he wrote about Chicago Fire in honor of his season 10 exit. One Chicago Stars Who Left the Franchise: Where Are They Now? Read article ...
"You're the Inspiration" is a song written by Peter Cetera and David Foster for the group Chicago and recorded for their fourteenth studio album Chicago 17 (1984), with Cetera singing lead vocals. The third single released from that album, it reached No. 3 on the US Billboard Hot 100 chart in January 1985 and also climbed to the top position on the Adult Contemporary char