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Adire (textile art) Adire ( Yoruba) textile is a type of dyed cloth from south west Nigeria traditionally made by Yoruba women, using a variety of resist-dyeing techniques. [1] [2] The word 'Adire' originally derives from the Yoruba words 'adi' which means to tie and 're' meaning to dye. [3] It is a material designed with wax-resist methods ...
William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop and designed dozens of patterns for hand-produced ...
Textile arts are arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects. Textiles have been a fundamental part of human life since the beginning of civilization. [1] [2] The methods and materials used to make them have expanded enormously, while the functions of textiles have remained the same ...
In addition to the loom-woven fabric, the town of Paisley became a major site for the manufacture of printed cotton and wool in the 1800s, according to the Paisley Museum and Art Galleries. In this process, the paisley pattern was printed, rather than woven, onto other textiles, including cotton squares which were the precursors of the modern ...
Bizarre silks are a style of figured silk fabrics popular in Europe in the late 17th and early 18th centuries. Bizarre silks are characterized by large-scale, asymmetrical patterns featuring geometrical shapes and stylized leaves and flowers, influenced by a wave of Asian textiles and decorative objects reaching the European market in these ...
Désirée Lucienne Lisbeth Dulcie Day OBE RDI FCSD ( née Conradi; 5 January 1917 – 30 January 2010) was one of the most influential British textile designers of the 1950s and 1960s. Day drew on inspiration from other arts to develop a new style of abstract pattern-making in post-war British textiles, known as ‘Contemporary’ design.
A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
The most widely recognized modern style of Hmong textile art is a form of embroidery derived from Paj Ntaub known as story cloth. Traditional Hmong textiles like Paj Ntaub play a significant role in Hmong daily life and are often directly associated with larger cultural concerns such as religion, gender, economics, and ethnic identity.
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