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Climax (rhetoric) In rhetoric, a climax (Greek: κλῖμαξ, klîmax, lit. "staircase" or "ladder") is a figure of speech in which words, phrases, or clauses are arranged in order of increasing importance. [1][2] In its use with clauses, it is also sometimes known as auxesis (lit. "growth"). [3]
In scientific ecology, climax community or climatic climax community is a historic term for a community of plants, animals, and fungi which, through the process of ecological succession in the development of vegetation in an area over time, have reached a steady state. This equilibrium was thought to occur because the climax community is ...
Three-act structure. The three-act structure is a model used in narrative fiction that divides a story into three parts (acts), often called the Setup, the Confrontation, and the Resolution. It was popularized by Syd Field in his 1979 book Screenplay: The Foundations of Screenwriting. Based on his recommendation that a play have a "beginning ...
The orgasm is the climax of the sexual response cycle. It is the shortest of the phases and generally lasts only a few seconds. General characteristics of this phase include the following:
List of narrative techniques. A narrative technique (also, in fiction, a fictional device) is any of several specific methods the creator of a narrative uses [1] —in other words, a strategy applied in the delivering of a narrative to relay information to the audience and to make the narrative more complete, complex, or engaging.
Chiasmus. In rhetoric, chiasmus (/ kaɪˈæzməs / ky-AZ-məs) or, less commonly, chiasm (Latin term from Greek χίασμα, "crossing", from the Greek χιάζω, chiázō, "to shape like the letter Χ "), is a "reversal of grammatical structures in successive phrases or clauses – but no repetition of words". [1]
Climax – Repetition of the scheme anadiplosis at least three times, with the elements arranged in an order of increasing importance; Epanalepsis – Repetition of the initial word or words of a clause or sentence at the end of the clause or sentence; Epistrophe – The counterpart of anaphora
The person simply stops in their tracks (and/or mid-sentence), and enters a staring, trance-like state during which they are unresponsive and unaware of their surroundings. They may make fumbling ...