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Pre-Code Hollywood. In this 1931 publicity photo, Dorothy Mackaill plays a secretary-turned-prostitute in Safe in Hell, a pre-Code Warner Bros. film. Pre-Code films such as The Public Enemy (1931) were able to feature criminal, anti-hero protagonists. Pre-Code Hollywood was an era in the American film industry that occurred between the ...
Pre-Code Hollywood is the era in the American film industry between the introduction of sound in the late 1920s and the enforcement of the Motion Picture Production Code (Hays Code) censorship guidelines. Although the Code was adopted in 1930, oversight was poor and it did not become effectively enforced until July 1, 1934.
Pre-Code sex films refers to movies made in the Pre-Code Hollywood era, roughly encompassed between either the introduction of sound in the late 1920s [1] or February 1930 (with the publication of the Production Code) and December 1934 (with the full enforcement of the Code, which had begun in July of that year).
Hays Code. The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors ...
Pre-Code crime films. Paul Muni (as Tony Camonte) taunting and laughing at police officers he has just shot at in the trailer for Scarface (1932). The Hays office wanted this ending of the gangster film replaced with one where Muni's character is tried and executed. The era of American film production from the early sound era to the enforcement ...
This era is known as Pre-Code Hollywood. An amendment to the Code, adopted on June 13, 1934, established the Production Code Administration (PCA), and required that all films released on or after July 1, 1934 obtain a certificate of approval before being released.
Frankenstein is a 1931 American pre-Code science fiction horror film directed by James Whale, produced by Carl Laemmle Jr., and adapted from a 1927 play by Peggy Webling, which in turn was based on Mary Shelley 's 1818 novel Frankenstein; or, The Modern Prometheus. The Webling play was adapted by John L. Balderston and the screenplay written by ...
What Price Hollywood? is a 1932 American pre-Code drama film directed by George Cukor and starring Constance Bennett with Lowell Sherman. The screenplay by Gene Fowler, Rowland Brown, Jane Murfin and Ben Markson is based on a story by Adela Rogers St. Johns and Louis Stevens. The supporting cast features Neil Hamilton, Gregory Ratoff, Brooks ...