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Hyperbole ( / haɪˈpɜːrbəli / ⓘ; adj. hyperbolic / ˌhaɪpərˈbɒlɪk / ⓘ) is the use of exaggeration as a rhetorical device or figure of speech. In rhetoric, it is also sometimes known as auxesis (literally 'growth'). In poetry and oratory, it emphasizes, evokes strong feelings, and creates strong impressions. As a figure of speech ...
50 common hyperbole examples. I’m so hungry, I could eat a horse. You’re as sweet as sugar. I have a million things to do today. That bag weighs a ton. She talks a mile a minute. He’s as ...
Erotema – rhetorical question; a question is asked to which an answer is not expected. [1] Ethos – a rhetorical appeal to an audience based on the speaker/writer's credibility. Ethopoeia – the act of putting oneself into the character of another to convey that person's feelings and thoughts more vividly.
The term metaphor is used to describe more basic or general aspects of experience and cognition: A cognitive metaphor is the association of object to an experience outside the object's environment. A conceptual metaphor is an underlying association that is systematic in both language and thought.
v. t. e. A triangle immersed in a saddle-shape plane (a hyperbolic paraboloid ), along with two diverging ultra-parallel lines. In mathematics, hyperbolic geometry (also called Lobachevskian geometry or Bolyai – Lobachevskian geometry) is a non-Euclidean geometry. The parallel postulate of Euclidean geometry is replaced with:
t. e. A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from ordinary language use to produce a rhetorical effect. [1] Figures of speech are traditionally classified into schemes, which vary the ordinary sequence of words, and tropes, where words carry a meaning other than what they ordinarily signify.
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action.
Amplification may refer to exaggeration or to stylistic vices such as figures of excess or superfluity (e.g., hyperbole). Amplification involves identifying parts of a text by means of a process of division; each part of the text may be subjected to amplification.