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Rithy Panh (Khmer: ប៉ាន់ រិទ្ធី; born April 18, 1964) is a Cambodian documentary film director and screenwriter. The French-schooled director's films focus on the aftermath of the genocidal Khmer Rouge regime in Cambodia.
The Missing Picture (French: L'Image manquante) is a 2013 Cambodian-French documentary film directed by Rithy Panh about the Khmer Rouge.. It was screened in the Un Certain Regard section at the 2013 Cannes Film Festival where it won the top prize.
A chilling historical drama rendered with impeccable sleight of hand, Rithy Panh’s “Rendez-vous avec Pol Pot” (“Meeting With Pol Pot”) reveals its political dimensions through layers of ...
The Elimination is an autobiographical account of Rithy Panh 's survival during the Pol Pot regime. It was co-written with novelist Christophe Bataille and published in 2011 by Grasset Publishing. This book is also an essay and report that documents the one-on-one conversations between Rithy Panh and Duch, a former Khmer Rouge officer. [1]
The title, you might not be surprised to hear, is ironic: In Rithy Panh’s frenetic, splenetic new hybrid essay film, everything will most assuredly not be OK. Humans, with our immense capacity ...
Exile (French: Exil) is a 2016 Cambodian-French documentary film edited, written, and directed by Rithy Panh which explores the effects of forced displacement. It was selected to screen in the Special Screenings section of the 2016 Cannes Film Festival .
S-21: The Khmer Rouge Killing Machine (French: S-21, la machine de mort Khmère rouge) is a 2003 documentary film directed by Rithy Panh.Rithy, himself a survivor of the Khmer Rouge, brought together two former prisoners of the regime with their former captors at Tuol Sleng Genocide Museum, the former Security Prison 21 (S-21) under the Khmer Rouge.
The Burnt Theatre, or Les Artistes du Théâtre Brûlé, is a 2005 French-Cambodian docudrama directed and co-written by Rithy Panh.A blend of fact and fiction, based on the actual lives of the actors, the film depicts a troupe of actors and dancers struggling to practise their art in the burned-out shell of Cambodia's former national theatre, the Preah Suramarit National Theatre in Phnom Penh.