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Pre-Code Hollywood is the era in the American film industry between the introduction of sound in the late 1920s and the enforcement of the Motion Picture Production Code (Hays Code) censorship guidelines. Although the Code was adopted in 1930, oversight was poor and it did not become effectively enforced until July 1, 1934.
Pre-Code Hollywood. In this 1931 publicity photo, Dorothy Mackaill plays a secretary-turned-prostitute in Safe in Hell, a pre-Code Warner Bros. film. Pre-Code films such as The Public Enemy (1931) were able to feature criminal, anti-hero protagonists. Pre-Code Hollywood was an era in the American film industry that occurred between the ...
Pre-Code sex films refers to movies made in the Pre-Code Hollywood era, roughly encompassed between either the introduction of sound in the late 1920s [1] or February 1930 (with the publication of the Production Code) and December 1934 (with the full enforcement of the Code, which had begun in July of that year).
Lists. List of Paramount Pictures films (1912–1919) List of Paramount Pictures films (1920–1929) List of Paramount Pictures films (1930–1939) List of Paramount Pictures films (1940–1949) List of Paramount Pictures films (1950–1959) List of Paramount Pictures films (1960–1969) List of Paramount Pictures films (1970–1979)
This is a list of early pre-recorded sound and part or full talking feature films made in the United States and Europe during the transition to sound, between 1926 and 1929. During this time a variety of recording systems were used, including sound on film formats such as Movietone and RCA Photophone , as well as sound on disc formats like ...
This list of American films of 1920 is a compilation of American films that were released in the year 1920. A ... A Full House: James Cruze: ... Code of Conduct ...
The Wild Party. (1929 film) The Wild Party is a 1929 American pre-Code film directed by Dorothy Arzner and starring Clara Bow and Fredric March. Released by Paramount Pictures, it is known as Bow's first talkie. It is the fifth film directed by Arzner and the earliest surviving film in her work as a director.
Pre-Code crime films. Paul Muni (as Tony Camonte) taunting and laughing at police officers he has just shot at in the trailer for Scarface (1932). The Hays office wanted this ending of the gangster film replaced with one where Muni's character is tried and executed. The era of American film production from the early sound era to the enforcement ...
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