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The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales. Like many musical scales, it is made up of seven notes: the eighth duplicates the first at double its frequency so that it is called a higher octave of the same note (from Latin "octavus", the eighth).
Scale (music) The C major scale, ascending and descending. In music theory, a scale is "any consecutive series of notes that form a progression between one note and its octave ", typically by order of pitch or fundamental frequency. [1][2] The word "scale" originates from the Latin scala, which literally means "ladder".
15.39 — — — Altered scale or Super Locrian scale: Altered scale on C. Play ... Hungarian major scale on C. Play ...
The Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.It is named after the Ionian Greeks.. It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or tenor ...
A major is a major scale based on A, with the pitches A, B, C ... Symphony No. 15, Op. 141; See also. Major and minor; Chord (music) Chord notation; References
A musical scale is a series of pitches in a distinct order. The concept of "mode" in Western music theory has three successive stages: in Gregorian chant theory, in Renaissance polyphonic theory, and in tonal harmonic music of the common practice period. In all three contexts, "mode" incorporates the idea of the diatonic scale, but differs from ...
Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note. In a minor scale, the third degree is a minor third above the tonic. Similarly, in a major triad or major seventh chord, the ...
A-flat major was the flattest major key to be used as the home key for the keyboard and piano sonatas of Domenico Scarlatti, Joseph Haydn and Ludwig van Beethoven, with each of them using the key for two sonatas: Scarlatti's K. 127 and K. 130, Haydn's Hob XVI 43 and 46, and Beethoven's Op. 26 and Op. 110, while Franz Schubert used it for one ...