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  2. D major - Wikipedia

    en.wikipedia.org/wiki/D_major

    D major is a major scale based on D, ... The key is also appropriate for guitar music, with drop D tuning making two D's available as open strings.

  3. Blues scale - Wikipedia

    en.wikipedia.org/wiki/Blues_scale

    The term blues scale refers to several different scales with differing numbers of pitches and related characteristics. A blues scale is often formed by the addition of an out-of-key "blue note" to an existing scale, notably the flat fifth addition to the minor pentatonic scale. However, the heptatonic blues scale can be considered a major scale ...

  4. Major scale - Wikipedia

    en.wikipedia.org/wiki/Major_scale

    The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales. Like many musical scales, it is made up of seven notes: the eighth duplicates the first at double its frequency so that it is called a higher octave of the same note (from Latin "octavus", the eighth).

  5. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of popular music ...

  6. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    Chord-scale system. Heptatonic scale. Jazz scale. List of chord progressions. List of chords. List of musical intervals. List of pitch intervals. Arabian maqam. Modes of limited transposition.

  7. A major - Wikipedia

    en.wikipedia.org/wiki/A_major

    For orchestral works in A major, the timpani are typically set to A and E a fifth apart, rather than a fourth apart as for most other keys. Hector Berlioz complained about the custom of his day in which timpani tuned to A and E a fifth apart were notated C and G a fourth apart, a custom which survived as late as the music of Franz Berwald .

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