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Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press 1999. ISBN 0-231-11094-4. Jacobs, Lea. The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942. Madison: University of Wisconsin Press 1997 ISBN 0-520-20790-4. Jeff, Leonard L, & Simmons, Jerold L.
Pre-Code Hollywood. In this 1931 publicity photo, Dorothy Mackaill plays a secretary-turned-prostitute in Safe in Hell, a pre-Code Warner Bros. film. Pre-Code films such as The Public Enemy (1931) were able to feature criminal, anti-hero protagonists. Pre-Code Hollywood was an era in the American film industry that occurred between the ...
Pre-Code sex films explored women's issues and challenged the concept of marriage, and aggressive sexuality was the norm. The sexual subject matter of the uncensored period was found within many movie genres, most especially in dramas, crime films, exotic-adventure films, comedies and musicals.
Hays Code. The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors ...
The Common Law is a 1931 American pre-Code romantic drama film directed by Paul L. Stein, produced by Charles R. Rogers and starring Constance Bennett and Joel McCrea.Based on Robert W. Chambers' 1911 novel of the same name, the film was the third film adaptation of the book, and the first during the sound-film era.
The Maltese Falcon is a 1931 American pre-Code crime film based on the 1930 novel The Maltese Falcon by Dashiell Hammett and directed by Roy Del Ruth. The film stars Ricardo Cortez as private detective Sam Spade and Bebe Daniels as femme fatale Ruth Wonderly. The supporting cast features Dudley Digges, Thelma Todd, Walter Long, Una Merkel, and ...
Pre-Code crime films. Paul Muni (as Tony Camonte) taunting and laughing at police officers he has just shot at in the trailer for Scarface (1932). The Hays office wanted this ending of the gangster film replaced with one where Muni's character is tried and executed. The era of American film production from the early sound era to the enforcement ...
Ten Cents a Dance is a 1931 American pre-Code romance-drama film directed by Lionel Barrymore and starring Barbara Stanwyck as a married taxi dancer who falls in love with one of her customers. The film was inspired by the popular song of the same name, which is sung over the title sequence. [1] The film was also made in a Spanish language ...
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