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Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press 1999. ISBN 0-231-11094-4. Jacobs, Lea. The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942. Madison: University of Wisconsin Press 1997 ISBN 0-520-20790-4. Jeff, Leonard L, & Simmons, Jerold L.
Pre-Code Hollywood. In this 1931 publicity photo, Dorothy Mackaill plays a secretary-turned-prostitute in Safe in Hell, a pre-Code Warner Bros. film. Pre-Code films such as The Public Enemy (1931) were able to feature criminal, anti-hero protagonists. Pre-Code Hollywood was an era in the American film industry that occurred between the ...
The Common Law is a 1931 American pre-Code romantic drama film directed by Paul L. Stein, produced by Charles R. Rogers and starring Constance Bennett and Joel McCrea.Based on Robert W. Chambers' 1911 novel of the same name, the film was the third film adaptation of the book, and the first during the sound-film era.
Hays Code. The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors ...
Ten Cents a Dance is a 1931 American pre-Code romance-drama film directed by Lionel Barrymore and starring Barbara Stanwyck as a married taxi dancer who falls in love with one of her customers. The film was inspired by the popular song of the same name, which is sung over the title sequence. [1] The film was also made in a Spanish language ...
Pre-Code crime films. Paul Muni (as Tony Camonte) taunting and laughing at police officers he has just shot at in the trailer for Scarface (1932). The Hays office wanted this ending of the gangster film replaced with one where Muni's character is tried and executed. The era of American film production from the early sound era to the enforcement ...
The Purchase Price is a 1932 pre-Code American romantic drama film directed by William Wellman and starring Barbara Stanwyck, George Brent and Lyle Talbot.Adapted from the novel The Mud Lark by Arthur Stringer, with a screenplay by Robert Lord, the film is about an attractive nightclub singer who leaves her criminal boyfriend and becomes the mail-order bride of a humble farmer.
Night Nurse. (1931 film) Night Nurse is a 1931 American pre-Code crime drama mystery film produced and distributed by Warner Bros. directed by William A. Wellman, and starring Barbara Stanwyck, Ben Lyon, Joan Blondell and Clark Gable. The film is based on the 1930 novel of the same name by Dora Macy, the pen name of Grace Perkins. [1]
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