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Classical unities. The classical unities, Aristotelian unities, or three unities represent a prescriptive theory of dramatic tragedy that was introduced in Italy in the 16th century and was influential for three centuries. The three unities are: unity of action: a tragedy should have one principal action. unity of time: the action in a tragedy ...
The unity of opposites (Latin; unio oppositorum) is the central category of dialectics, said to be related to the notion of non-duality in a deep sense. [1] It defines a situation in which the existence or identity of a thing (or situation) depends on the co-existence of at least two conditions which are opposite to each other, yet dependent on each other and presupposing each other, within a ...
Organic unity is the idea that a thing is made up of interdependent parts. For example, a body is made up of its constituent organs, and a society is made up of its constituent social roles. In Aristotle 's Poetics he likened drama narrative 's and action to organic form, presenting it as “a complete whole, with its several incidents so ...
"The Philosophy of Composition" first appeared in Graham's American Monthly Magazine of Literature and Art, April 1846, Philadelphia "The Philosophy of Composition" is an 1846 essay written by American writer Edgar Allan Poe that elucidates a theory about how good writers write when they write well. He concludes that length, "unity of effect ...
American Gothic fiction. American gothic fiction is a subgenre of gothic fiction. Elements specific to American Gothic include: rationality versus the irrational, puritanism, guilt, the uncanny (das unheimliche), ab-humans, ghosts, and monsters.
New Criticism developed as a reaction to the older philological and literary history schools of the US North, which focused on the history and meaning of individual words and their relation to foreign and ancient languages, comparative sources, and the biographical circumstances of the authors, taking this approach under the influence of nineteenth-century German scholarship.
Aristotle divides the art of poetry into verse drama (comedy, tragedy, and the satyr play), lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: Differences in music rhythm, harmony, meter, and melody. Difference of goodness in the characters.
Verisimilitude (/ ˌvɛrɪsɪˈmɪlɪtjuːd /) is the "lifelikeness" or believability of a work of fiction. The word comes from Latin: verum meaning truth and similis meaning similar. [1] Language philosopher Steve Neale distinguishes between two types: cultural verisimilitude, meaning plausibility of the fictional work within the cultural and ...