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The challenge to the assumption that beauty was central to art and aesthetics, thought to be original, is actually continuous with older aesthetic theory; Aristotle was the first in the Western tradition to classify "beauty" into types as in his theory of drama, and Kant made a distinction between beauty and the sublime.
Aristotle's work on aesthetics consists of the Poetics, Politics (Bk VIII), and Rhetoric. [8] The Poetics was lost to the Western world for a long time. The text was restored to the West in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes. [9]
Ancient Greek aesthetics. The first important contributions to aesthetic theory are usually considered to stem from philosophers in Ancient Greece, among which the most noticeable are Plato, Aristotle and Plotinus. When interpreting writings from this time, it is worth noticing that it is debatable whether an exact equivalent to the term beauty ...
Aristotelianism (/ ˌærɪstəˈtiːliənɪzəm / ARR-i-stə-TEE-lee-ə-niz-əm) is a philosophical tradition inspired by the work of Aristotle, usually characterized by deductive logic and an analytic inductive method in the study of natural philosophy and metaphysics. It covers the treatment of the social sciences under a system of natural law.
Romantic artists during the 19th century used the epic of nature as an expression of the sublime. In aesthetics, the sublime (from the Latin sublīmis) is the quality of greatness, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual, or artistic. The term especially refers to a greatness beyond all possibility of ...
For instance, Aristotle stated that Tragedy is an imitation, "not of persons but of action and life, of happiness and misery." [5] An aspect Aristotle had developed was his theory of catharsis, an aspect that Plato has rejected. [5] Catharsis, or in other words, purging of the emotions "through pity and fear," is accomplished by tragedy. [5]
To look like or resemble. To stand in for something or someone. To present a second time; to re-present [2] The reflection on representation began with early literary theory in the ideas of Plato and Aristotle, and has evolved into a significant component of language, Saussurian and communication studies.
However, Greek and Roman philosophers such as Aristotle [8] and Plato [9] engaged in the rhetorical debate of aesthetic perception and properties as a separate branch of philosophy in defining the parameters of art and beauty. [7] Ancient aesthetics shows the origin of aesthetic debate and influences modern aesthetic definitions. [4]