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See media help. " Eternal Father, Strong to Save " is a British hymn traditionally associated with seafarers, particularly in the maritime armed services. Written in 1860, its author, William Whiting, was inspired by the dangers of the sea described in Psalm 107. It was popularised by the Royal Navy and the United States Navy in the late 19th ...
Release. September 24, 1985. ( 1985-09-24) –. March 26, 1987. ( 1987-03-26) Spartakus and the Sun Beneath the Sea ( French: Les Mondes Engloutis, "The Engulfed Worlds") is a 1985-1987 French animated series created by Nina Wolmark. The series consists of 52 episodes, each between 20 and 25 minutes in length, divided into two 26-episode seasons.
Sailing, Sailing. " Sailing, Sailing " is a song written in 1880 by Godfrey Marks, a pseudonym of British organist and composer James Frederick Swift (1847–1931). [1] [2] It is also known as "Sailing" or "Sailing, sailing, over the bounding main" (the first line of its chorus). The song's chorus is widely known and appears in many children's ...
Fantasia on British Sea Songs. Fantasia on British Sea Songs or Fantasy on British Sea Songs is a medley of British sea songs arranged by Sir Henry Wood in 1905 to mark the centenary of the Battle of Trafalgar. For many years it has been an indispensable item at the BBC's Last Night of the Proms concert.
Sea Slumber Song. Seemann (Lolita song) Seemann (Rammstein song) Send Me a Line When I'm Across the Ocean. Seven Seas (song) Seven Seas of Rhye. (Sittin' On) The Dock of the Bay. Song to the Siren. Southern Cross (Crosby, Stills and Nash song)
Sea Songs. Sea Songs is an arrangement of three British sea-songs by the English composer Ralph Vaughan Williams. It is based on the songs "Princess Royal", "Admiral Benbow" and "Portsmouth". The work is a march of roughly four minutes duration. It follows a ternary structure, with opening material based on "Princess Royal" and "Admiral Benbow ...
The Saucy Arethusa is a nautical song ( Roud 12675) which, although usually considered "traditional", has been attributed to Prince Hoare, [1] a comic opera librettist, as part of a "musical entertainment" titled The Lock and Key, performed at the Theatre Royal, Covent Garden in 1796. The melody to the song has been wrongly attributed to ...
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