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Country-western two-step. The country/western two-step, often called the Texas two-step [2] or simply the two-step, [3] is a country/western dance usually danced to country music in common time. "Traditional [Texas] two-step developed, my theory goes, because it is suited to fiddle and guitar music played two-four time with a firm beat [found ...
Etymology. The term polka referring to the dance is believed to derive from the Czech words "pulka", meaning "half-step" and "Polka" meaning "Polish woman" (feminine form corresponding to Polak, a Pole). [1] Czech cultural historian Čeněk Zíbrt attributes the term to the Czech word půlka (half), referring to both the half-tempo 2.
Reel (dance) The reel is a folk dance type as well as the accompanying dance tune type. Of Scottish origin, reels are also an important part of the repertoire of the fiddle traditions of Britain, Ireland and North America. [1] In Scottish country dancing, the reel is one of the four traditional dances, the others being the jig, the strathspey ...
In folk dance from the Alsace region, waltzes in odd metres such as 5 4, 8 4 and 11 4 are found. In modern bal folk, waltzes in even higher metres are played and danced. Estonian folk dance Labajalavalss (flat of the foot waltz) performed in 3 4 time. Sama'i (also known as usul semai) is a vocal piece of Ottoman Turkish music composed in 6/8 ...
In music theory, a triple metre time signature signifies a 3 time metre featuring three pulses per measure, such as 3/2, 3/3, 3/4, 3/8 or 6/8. Within these time signatures, beats organize into groups of three, creating a triple meter sensation in the music or song.
In the 19th century, the form became popular in many ballrooms in different parts of Europe. "Mazurka" is a Polish word, it means a Masovian woman or girl. It is a feminine form of the word "Mazur", which — until the nineteenth century — denoted an inhabitant of Poland's Mazovia region ( Masovians, formerly plural: Mazurzy ). The similar ...
Dance. The conga is danced with small sliding steps, advancing alternately. Imagining two measures of 2 4 time (the traditional time signature for the conga), ...
The cha-cha-cha (also called cha-cha ), is a dance of Cuban origin. [1] [2] It is danced to the music of the same name introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet ...